Holding Hands Uncovered

mythic3With Mythic, a new quarterly SF&F magazine publishing my piece of short fiction, Holding Hands, next month, I wanted to give you a little back story about this rather personal tale.

A while ago my son and I were having some difficulty getting on. After around six months of very little communication between us, either verbally or physically, we happened to be walking back from town, him trailing behind in silence like usual. As we did so, I felt his hand slip in mine. It was wonderful, brief, and a beginning.

It was that moment which I attempted to capture in writing, and from that, Holding Hands developed. I’m not proficient enough as a writer yet to have done that, but I’ve tried. I hope you enjoy the story.

The Anatomy of Monsters vol 2

OPEN NOW FOR SUBMISSIONS:
THE ANATOMY OF MONSTERS VOL. 2
Collected by Robert Teun

(Twitter: @RDTEUN)
$25.00 PLUS COPY
Min word count: 3,000 words.
Max word count: 10,000 words.
Send submissions to: theanatomyofmonsters@gmail.com
DEADLINE: OCT 31ST 2017

THE ANATOMY OF MONSTERS VOL. 2
We’re looking for new takes on old monsters!
What unholy pact did the very first vampire make to become what they are now?
How did Werewolves become slaves of the moon?
Who was the first Ghost in the world and how did they react?
The Mummy, The Hunchback, The Phantom Of The Opera, The Invisible Man, and even The Creature From The Black Lagoon…
How did they come to be?
How do they deal with their new nature?
And who suffers because of it?
This volume will be open to more folklore horror, Witches! Baba Yaga! And many, many more!
I prefer less splatter and more scare.
News will follow on these pages:

The Anatomy Of Monsters Facebook page:https://www.facebook.com/TheAnatomyOfMonster/?ref=bookmarks

Twitter: @RDTEUN

The Dark Half of the Year

the dark half of the yearHaving recently joined the North Bristol Writers, I found out that, in late 2016, they published an anthology called The Dark Half of the Year.

From the creepiness of Garland’s The Ancestors and Dornan’s Dark Time, to the chilling This is Me by Henney, and just plain weirdness of Meyjes’ The Last Four in the Bar, The Dark Half … is a collection of stories that explores the vastness of the afterlife. It is also eclectic, with Newland’s tragic tale set during the Roman invasion of Britain and Sutton’s futuristic take on the ghost story, keeping the company of scolding grandmothers, vengeful in-laws, and righteous wraiths, alongside Harrison’s spin on Cornish folklore and, of course, the gruesome moral tale provided by Shinn. My favourite story of the anthology, Winternights by Herring, hauls ancient myth into a dystopian future whilst almost revelling in a vivid portrayal of bloodlust, truly making The Dark Half of the Year a celebration of the dead.

The Dark Half of the Year is available at Amazon UK and Amazon US.

Galactic mission

Congratulations to The Nameless Writing Group’s newest member, Sam Grant, who has just published his latest novel, Galactic Mission.

“James Walters is a sales manager for an international conglomerate, based in the UK [who just happens to] encounter Empress Adriana from the Galactic Command Force … oh, and ruler of planet Earth and all planets circling the sun.”

Galactic Mission is available from Amazon UK and Amazon US

It Has To Be Scary

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The submissions call for which I’m crafting a story has a stipulation: Pieces have to be scary. Easy then? No, considering I haven’t been scared by a work of fiction yet.

Though, four authors have come close, so far: Ray Bradbury, Stephen King, Clive Barker and Adam Nevill.

In an earlier post, I mentioned that Bradbury with his short story, The Emissary, and King’s novel, Misery, had managed to give me gooseflesh. This was achieved, perhaps, by their ability to immerse the reader in the story and the characters, in addition to perfect timing.

Barker’s short fiction anthology, The Books of Blood, heralded a new age of Horror for me. These stories were like listening to Iommi’s (et al) War Pigs for the first time; the text glutinous with dread.

With Nevill, it was the building of, and unrelenting, tension in the first part of The Ritual that may have been achieved through the main protagonist’s increasing isolation, as well as setting and pace.

All I have to do with this technical knowledge is apply it … within a 2,000 word frame.

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